Thanks to everyone that contributed, and a HUGE Thank You to yep for creating the thread in the first place! :cool: So, here it is my Final Entry in the series/collection, and links to the first 2 years. I also learned how easy it is to go off on tangents that contribute absolutely nothing to the task and hand, and have found that to be just as important. OK, I am with yep on this one, and tho I had hoped that it would make it until Dec to get 3 full years in I guess that is not to be.shame.Īnyway, who would have thought that when I started backing up the thread on 12-02-2008 that it would have lasted this long, and STILL be immensely helpful! I have learned a TON of new techniques & ways of viewing/approaching a recording situation. then guess the masters of this discipline should take the manufacturers to task on it, not the users that are baffled by the seeming gap. On the otherhand, if the tool really is crap. the gap between "tool sounds like home tone" and "tool sounds like studio recording" should be a delta acceptable to this thread, or at least I'd think. So assuming for a minute that the tool really does it's job, and further that "equipment doesn't matter" as some suggest, then that leaves "recording technique". Since you continue to insist that a gear recipe must be the answer, you'll never get the answer.Īlledgedly a *recording* tool called "Gearbox" takes care of that for us. The worst way is for you to demand that someone give you a gear recipe. The best way for you to develop an understanding of these fundamental issues is for you to make a few hundred recordings and observe the impact of the room and mic placement. If that is not instantly and painfully obvious to you from a moment's observation, no amount of gear will help you meet your goals. That is, with a mic mounted on the _camera_, some six or eight feet from the source which is pointing at right angles to the mic. The first clip was done in a large reverberant space and recorded with a blinkin' camera mic. put a decent mic where the decent sound appears in a room that doesn't screw up that soundģ. In order to make a decent recording you need to have a decent sound hit the mic.
This has been covered over and over in this thread. Seems to me it's a great topic with lots of applicability. And of course you're all familiar with this dude's commercial work. But of course it seems to be part of a lesson CD or something. The second, same guy, still not in a mix, sounds more commercial and tight. One, to my ears, despite the great licks, sounds like Guitar Center Saturday tone. Seems like a great are to dig into, quite related to the original title, no?Ĭonsider there two vids of a well know blues man.
It's about what techniques take guitar (or any other track for that matter) from "Gutiar Center or Saturday (or the living room) and make it sound like a commercial recording?"
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